I visited Barcelona
in November 2014 and, as a tourist, I was obliged to take a wander down Las
Ramblas. Despite being largely a tourist trap area there is something quite
wonderful about the place. As I walked along with everyone else, glancing at
the street entertainers and the various stalls that all seem to sell things of
a questionable quality that you don’t need, the Manic Street Preacher’s song, If You Tolerate This Your Children Will Be
Next came to mind. It is a piece about the Spanish Civil War and the line
quoted is a reference to George Orwell’s account of the fighting in Las Ramblas;
the activity that actually lacked any intent apparently. It was a scene on more
than one occasion, however, of fighting and death.
Many historical novels contain violent confrontation as part
of their story, not just between protagonists but often between armies or
fleets of warships. Indeed historical novels often seem to embrace conflict on
an epic scale. In ‘The War Wolf’ I recount the story of the Battle of Fulford
Gate, an engagement in which some 15,000 warriors fought; a considerable number
for the time. People seem to find it exciting. Certainly war as a subject has
been a part of human culture since the first written language was developed.
The Battle of Megiddo is widely
considered the first engagement to be reliably recorded and that took place in
the 15th century BCE. Ever since then we have researched, recorded
and written about human military encounters.
In that respect I am no different. The period of 1066 is
characterised by three very violent encounters by the three opposing sides,
Saxons, Vikings, and Normans. One aspect of writing about a period where
written records were not habitually kept is that it becomes easy to lose touch
with the human element of the actual events. We can only imagine what the
Battle of Fulford Gate was like for the participants because no one thought to
write down their experience, or if they did it has been lost to time. The very
site of the battle itself is also being lost to time as the modern world
encroaches upon it. When I researched the battle I had to look elsewhere to get
an idea of what it might have been like. Fortunately warfare did not differ
that much from the time of Megiddo to the advent of
gunpowder. Heavy infantry supported by light infantry, missile throwers and
some cavalry, although not in the case of the Saxons and Vikings, was the
general order of battle. It was not difficult to transfer a Greek hoplites experience
of the Battle of Plataea in the Persian Wars to become that of a Saxon frydman
fighting before the walls of York in 11th
century England.
For all the use of creative licence, however, my account of
Saxon warfare remains strictly third-hand at best. When George Orwell wrote
about the fighting in Las Ramblas during the Spanish Civil War he did it from
personal experience because he was there. Walking down Las Ramblas, with or
without intent, knowing that people died there during one of Spain’s most
bloody periods of civil strife reinforces the human aspect of what happened. Men died on both sides. These men were sons,
brothers, husbands, fathers to other people. They went out of the world
violently and left a hole in the lives of the others. The men who died at Megiddo
and at Fulford Gate were no less the same and the friends and family that they
left behind suffered no less either.
Although I acknowledge as a writer the intrinsic excitement
of reading a battle within a story I also recognise that in every instance
there must be human loss. I try to make my characters sympathetic to the reader
in order to try and get that point across. In ‘The War Wolf’ there are no good
guys and bad guys, no evildoers and heroes in the clichéd sense. The Saxons are
fighting to defend their lands, their people, and their way of life. The
Vikings are fighting to take what they can for reasons that legitimise their
actions within their own way of thinking. The same applies to the Normans as well. Indeed,
both the Norwegians and the Normans are pressed by political concerns that lie
beyond the boundaries of England
and yet both are tied to the Saxon crown by blood through a shared history.
As I walked Las Ramblas I was reminded of the fact that the
human story is a fascinating one that can seemingly be presented in an almost
infinite number of ways. The important thing to remember, I think, is that no
matter which way a writer decides to tell a part of that story they must always
strive to retain the humanity of their tale. Battle is indeed exciting to read
about if your life is not at risk during it, but even within the safety of a
book the author should also remind the reader that there is always a cost to
human life when two warriors meet in a fight to the death, and it often extends
beyond the two combatants as well.
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